A year has gone by since the events of The Wizard’s Christmas, and the people have slowly begun to rebuild under the new Christmas Wizard. The city is buzzing with excitement and preparations are in full swing for the first new Christmas of the age is rapidly approaching. Alerik is worried about Perin; she’s unsure of herself and struggles with the weight of all the expectations placed upon her to restore Christmas to its former glory. Alerik uncovers a secret that leads him to a great discovery deep in the old woods beyond Christmas Town that will rock the city to it’s foundations, filling them with doubt as they confront the possibility that the Christmas Wizard may not be the rightful owner of the staff after all.
– Written by Colin Curwen, Producer

When travel columnist Sonny Kravitz and her ex-boyfriend Kip are forced to team up to help their best friends Bree and Jarod get engaged amongst a whimsical backdrop of twelve holiday traditions from around the world at her parent’s snowy chalet, they soon find themselves falling for one another once again.

The winter holidays are turning out to be especially stressful for Greg Heffley this year. After accidentally damaging a snowplow while making a snowman with best friend Rowley Jefferson, Greg worries he won’t get the new video game console he so desperately wants for Christmas. To make matters worse, he gets snowed in with his family, including his grumpy older brother Rodrick and annoying younger brother Manny.

Keeping Up Appearances is a British sitcom created and written by Roy Clarke for the BBC. Centred on the life of eccentric, social-climbing snob Hyacinth Bucket, the sitcom follows her obsessive and determined attempts to impress in middle class society and portray herself as more affluent than she truly is.

The show stars Patricia Routledge, who received two BAFTA nominations for her performance as Hyacinth. Broadcast between 1990 and 1995 on BBC One, the sitcom spawned five series and 44 episodes—4 of which are Christmas specials. Keeping Up Appearances was a great success in the UK and also captivated a large audience in the US, Canada, and Australia, but production ceased in 1995 when Routledge wanted to move on to other projects. Since its original release, all five series—including Christmas specials—are available on DVD. In 2004, the sitcom was ranked 12th in the countdown of Britain’s Best Sitcom. It is regularly repeated worldwide.

A Miser Brothers’ Christmas is a sequel to the classic 1974 television special The Year Without a Santa Claus. The stop-motion animated special, produced by Warner Brothers Television Animation (owners of the post-1973 Rankin/Bass animated special library) and Toronto-based Cuppa Coffee Studios, premiered as part of ABC Family’s 25 Days of Christmas on December 13, 2008. Mickey Rooney reprised his role of Santa Claus, which originally debuted in the 1970 special Santa Claus is Comin’ to Town, while George S. Irving reprised his role as the Heat Miser. Original music was written by William K. Anderson, with the exception of “Snow Miser/Heat Miser”, which was written by Maury Laws and Jules Bass for the 1974 special. Eddie Guzelian (Lilo & Stitch 2: Stitch Has a Glitch) wrote the story and Dave Barton Thomas directed. The special was nominated for the 2008 Annie Award for Best Animated Television Production.

Scotty Smalls moves to a new neighborhood with his mom and stepdad, and wants to learn to play baseball. The neighborhood baseball guru Rodriquez takes Smalls under his wing. They fall into adventures involving baseball, treehouse sleep-ins, the desirous lifeguard at the local pool, the snooty rival ball team, and the travelling fair.

NOTHING TO HIDE is an independent documentary dealing with surveillance and its acceptance by the general public through the “I have nothing to hide” argument. The documentary was produced and directed by a pair of Berlin-based journalists, Mihaela Gladovic and Marc Meillassoux. It was crowdfunded by over 400 backers. NOTHING TO HIDE questions the growing, puzzling and passive public acceptance of massive corporate and governmental incursions into individual and group privacy and rights. After the emotion initially triggered by the Snowden revelations, it seems that the general public has finally accepted to live in a monitored digital world.

Internationally acclaimed ventriloquist Nina Conti, takes the bereaved puppets of her mentor and erstwhile lover Ken Campbell on a pilgrimage to ‘Venthaven’ the resting place for puppets of dead ventriloquists. She gets to know her latex and wooden travelling partners along the way, and with them deconstructs herself and her lost love in this ventriloquial docu-mocumentary requiem. Ken Campbell was a hugely respected maverick of the British Theatre, an eccentric genius who would snort out forgotten artforms. Nina was his prodigy in ventriloquism and has been said to have reinvented the artform. This film is truly unique in genre and style. No one has seen ventriloquism like this before.

It depicts the story of a young boy and his relationship with animals. The film is produced by 3rd World Studios and distributed by ARY Films. Set in the northern regions of Pakistan, the story follows Allahyar, a young and mischievous boy who ends up dealing with circumstances he never thought possible. The movie aims to shed light on the preservation and illegal hunting of wildlife, with main characters Mehru, a markhor and Chakku, a snow leopard being endangered species.